Directory - The Project Studio Handbook - Effects, Reverb, Delay, Chorus, Flanging/title> </head> <body background="images/2racks.jpg"> <center> <br>  <script type="text/javascript" src="http://g.adspeed.net/ad.php?do=js&zid=5717&wd=-1&ht=-1&target=_top"></script>  </center> <body bgcolor="#ffffff" style="font-family: Trebuchet MS; font-size: 10pt; color: rgb(0,0,128)" text="#000000" topmargin="0" leftmargin="0"> <table border="0" width="800" cellpadding="2"> <tr> <td align="right"> <p><font color="#FFFFFF" face="Verdana" size="1"> </font></p> </form> </td> </tr> </table> <table border="0" cellpadding="6" width="100%" bgcolor="#FFFFFF" cellspacing="0"> <tr> <td align="center"><div align="center"><center><table cellPadding="0" border="0" cellspacing="0" bgcolor="#FFFFFF" width="800"> <tr> <center> <font face="Verdana, Arial, Helvetica, sans-serif" size="2"> <br> </center> <td align="right" colspan="2"> <a href="directory.htm"><img src="images/project6.jpg"></a></td> </tr> <tr> <td align="right" colspan="3"><font color="#000000" size="2"><strong>Articles:</strong> <a href="articles1.htm">Basics</a> · <a href="articles2.htm">Burning CD/DVD</a> · <a href="articles19.htm">Business</a> · <a href="articles3.htm">Compression</a> · <a href="articles4.htm">Digital Audio</a> · <a href="articles5.htm">Effects</a> · <a href="articles6.htm">EQ</a> · <a href="articles7.htm">Instruments</a> · <a href="articles8.htm">Levels</a> · <a href="articles9.htm">Mastering</a> · <a href="articles10.htm">MIDI</a><br> <a href="articles11.htm">Microphones</a> · <a href="articles12.htm">Mixing</a> · <a href="articles13.htm">Monitoring</a> · <a href="reference.htm">Reference</a> · <a href="articles14.htm">Sampling</a> · <a href="articles15.htm">Studio A & D</a> · <a href="articles16.htm">Sync</a> · <a href="articles17.htm">Synthesis</a> · <a href="articles20.htm">The Mix® Files</a> · <a href="articles18.htm">Wiring</a><br> <strong>Weblinks: </strong><a href="recording.htm">Recording</a> · <a href="forums.htm">Forums</a> · <a href="guitars.htm">Guitars</a> · <a href="mfgs.htm">Manufacturers</a> · <a href="retailers.htm">Retailers</a> · <a href="zfiles.htm">Updates & Miscellaneous</a></font></td> </tr> </table> </center></div></td> </tr> </table> </center></div> </td></tr></table><table dir="ltr" border="0" cellpadding="0" cellspacing="0" width="100%"><tr><td valign="top"> <div align="center"><center> <center> <blockquote> <table border="0" cellpadding="1" width="950"> <td align="left" valign="top"> <P> <font face="Impact" size="4" color="#666666">Articles 5: Effects</font><font face="Verdana, Arial, Helvetica, sans-serif" size="2" color="#000000"><br> Signal Processing...</font></td> </tr> <tr> <td align="left" bgcolor="#FFFFFF" valign="top"> <font size="2"> <a href="http://www.sospubs.co.uk/sos/jul99/articles/20tips.htm">20 Tips on Using Effects in the Mix (by Paul White - Sound On Sound - Jul 1999)</a><br> <a href="http://www.sospubs.co.uk/sos/oct01/articles/advancedreverb1.asp">Advanced Reverb: Part 1 (by Paul White - SOS - Oct 2001)</a><br> <a href="http://www.sospubs.co.uk/sos/nov01/articles/advancedreverb2.asp">Advanced Reverb: Part 2 (by Paul White - SOS - Nov 2001)</a><br> <a href="http://emusician.com/tutorials/emusic_acting_impulse/">Acting on Impulse: Convolution Reverb (by Alex Kemmler - EM - June 2006)</a><br> <a href="http://emusician.com/tutorials/emusic_brief_delay/">After a Brief Delay (by Jim Aikin - EM - Sept 2006)</a><br> <a href="http://emusician.com/tutorials/emusic_new_look_vocoding/">A New Look at Vocoding (by A New Look at Vocoding (by Len Sasso - EM - May 2006)</a><br> <a href="http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=9826&magazinearticleid=139653&SiteID=15">Chain, Chain, Chain (by Michael Cooper - Electronic Musician - Feb 2002)</a><br> <a href="http://www.harmony-central.com/Effects/Articles/Chorus/">Chorus (by Scott Lehman - Harmony-Central - 1996)</a><br> <a href="http://en.wikipedia.org/wiki/Chorus_effect">Chorus effect (Wikipedia - 2007)</a><br> <a href="http://emusician.com/tutorials/emusic_convolution_reverb_beyond/">Convolution Reverb and Beyond (by John Duesenberry - EM - April 2005)</a><br> <a href="http://www.harmony-central.com/Effects/Articles/Delay/">Delay (by Scott Lehman - Harmony-Central - 1996)</a><br> <a href="http://en.wikipedia.org/wiki/Delay_(audio_effect)">Delay (audio effect) (by Wikipedia 2007)</a><br> <a href="http://www.analogx.com/contents/articles/delays.htm">Delay Fun 101 (AnalogX - 2000)</a><br> <a href="http://www.discmakers.com/music/pse/greg.asp">Effects (by Greg Goldman - Disc Makers)</a><br> <a href="http://www.harmony-central.com/Effects/Articles/Chorus/">Effect Explained: Chorus (by Scott Lehman - Harmony Central - 1996)</a><br> <a href="http://www.sospubs.co.uk/sos/nov00/articles/extreme.htm">Expanding Your Effects Horizons, Part 1 (by Paul White - SOS - Nov 2000)</a><br> <a href="http://www.sospubs.co.uk/sos/dec00/articles/extreme.asp">Expanding Your Effects Horizons, Part 2 (by Paul White - SOS - Dec 2000)</a><br> <a href="http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=5572&magazinearticleid=65281&siteid=15">Favorite Effects Tips from the Trenches (by Nick Peck - Electronic Musician - Mar 2000)</a><br> <br> <a href="http://en.wikipedia.org/wiki/Flanging">Flanging (Wikipedia - 2007)</a><br> <a href="http://www.harmony-central.com/Effects/Articles/Flanging/">Flanging (by Scott Lehman - Harmony-Central - 1996)</a><br> <a href="http://www.prorec.com/prorec/articles.nsf/files/A9E6432BA150B3ED862566880014208A">In Theory, Part 1: DSP Theory Introduced (by Jose-Maria Catena - ProRec - Oct 1998)</a><br> <a href="http://www.prorec.com/prorec/articles.nsf/articles/15AE59DCA0FA5EAA862566B20022F4CA">In Theory, Part 2: Frequency Filters (by Jose-Maria Catena - ProRec - Nov 1998)</a><br> <a href="http://www.sospubs.co.uk/sos/1997_articles/jun97/mixingwithfx.html">Integrating Mixing and Signal Processing (by Craig Anderton - Sound On Sound - Jun 1997)</a><br> <a href="http://www.beitec.com/phase/phse.html">More Than You Ever Wanted to Know about Phasers (by Fred Ridder and Michael Beigel - beitec.com)</a><br> <a href="http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=5575&magazinearticleid=65371&siteid=15">Multi-Effects 101 (by John Duesenberry - Electronic Musician - Jun 2000)</a><br> <a href="http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=5576&magazinearticleid=65408&siteid=15">Multi-Effects 102 (by John Duesenberry - Electronic Musician - Jul 2000)</a><br> <a href="http://www.sospubs.co.uk/sos/1997_articles/jul97/multifx1.html">Multi-Effects Explained, Part 1 (by Paul White - Sound On Sound - Jul 1997)</a><br> <a href="http://www.sospubs.co.uk/sos/1997_articles/aug97/multieffects2.html">Multi-Effects Explained, Part 2 (by Paul White - Sound On Sound - Aug 1997)</a><br> <a href="http://www.sospubs.co.uk/sos/1997_articles/sep97/multieffects3.html">Multi-Effects Explained, Part 3 (by Paul White - Sound On Sound - Sep 1997)</a><br> <br> <a href="http://www.sospubs.co.uk/sos/1997_articles/oct97/multifx4.html">Multi-Effects Explained, Part 4 (by Paul White - Sound On Sound - Oct 1997)</a><br> <a href="http://www.sospubs.co.uk/sos/1997_articles/nov97/multifx5.html">Multi-Effects Explained, Part 5 (by Paul White - Sound On Sound - Nov 1997)</a><br> <a href="http://www.dspdimension.com/html/formantcorrection.html">On the Importance of Formants in Pitch Scaling (by Stephen Sprenger - dspdimension.com - 1999)</a><br> <a href="http://www.harmony-central.com/Effects/Articles/Phase_Shifting/">Phase Shifting (by Scott Lehman - Harmony-Central - 1996)</a><br> <a href="http://www.alesis.com/support/cc/fxorder.html">Putting Your Effects in Order (by Craig Anderton - Alesis - 2000)</a><br> <a href="http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=5570&magazinearticleid=65226&siteid=15">Reexamining Vintage Analog Effects (by Barry Cleveland - Electronic Musician - Jan 2000)</a><br> <a href="http://www.sospubs.co.uk/sos/may00/articles/reverb.htm">Reflected Glory: Reverb FAQ (by Mike Senior - Sound On Sound - May 2000)</a><br> <a href="http://en.wikipedia.org/wiki/Reverberation">Reverberation (Wikipedia - 2007)</a><br> <a href="http://www.soundonsound.com/sos/may00/articles/reverb.htm">Reverb: FAQ's (by Mike Senior - SOS - May 2000)</a><br> <a href="http://www.sospubs.co.uk/sos/1997_articles/mar97/reverbbasics.html">Reverb From First Principles (by Hugh Robjohns - Sound On Sound - Mar 1997)</a><br> <a href="http://www.recordingwebsite.com/articles/reverb.php">Reverberation (by John Moxey - The Recording Website/Songstuff.com - 2001)</a><br> <a href="http://www.harmony-central.com/Effects/Articles/Reverb/">Reverberation (by Scott Lehman - Harmony-Central - 1996)</a><br> <a href="http://emusician.com/tutorials/emusic_rewired_effects/">ReWired for Effects (by David Darlington - EM - June 2006)</a><br> <br> <a href="http://www.harmony-central.com/Effects/Articles/Ring_Modulation/">Ring Modulation (by Scott Lehman - Harmony-Central - 1996)</a><br> <a href="http://arts.ucsc.edu/ems/music/equipment/signal_processors/processors_intro/processors.html">Signal Processors (by Peter Elsea - University of California, Santa Cruz - 1996)</a><br> <a href="http://www.prorec.com./prorec/articles.nsf/files/07FD1EB15634D5C2862567E900774A62">Spatial Processing Tools (by Rip Rowan - ProRec - Sep 1999)</a><br> <a href="http://www.alesis.com/support/cc/10gtrfx.html">Ten Tips for Guitar Multi-Effects (by Craig Anderton - Alesis - 2000)</a><br> <a href="http://www.dspdimension.com/html/timepitch.html">Time and Pitch Scaling of Audio Signals (by Stephen Sprenger - dspdimension.com -2002)</a><br> <a href="http://www.sospubs.co.uk/sos/jan01/articles/vintage.asp">Understanding and Emulating Vintage Effects (by Paul White - SOS - Jan 2001)</a><br> <a href="http://members.aol.com/uniquenyc/key6.htm">Using Echo, Delay and Etc... (by Bobby Nathan - 1985)</a><br> <a href="http://www.sospubs.co.uk/sos/mar99/articles/synthfx.htm">Using OnBoard Synth Effects, Part 1 (by Paul Wiffen - Sound On Sound - Mar 1999)</a><br> <br> <a href="http://www.sospubs.co.uk/sos/apr99/articles/synth.htm">Using OnBoard Synth Effects, Part 2 (by Paul Wiffen - Sound On Sound - Apr 1999)</a><br> <a href="http://www.sospubs.co.uk/sos/jun99/articles/synthfx3.htm">Using OnBoard Synth Effects, Part 3 (by Paul Wiffen - Sound On Sound - Jun 1999)</a><br> <a href="http://www.sospubs.co.uk/sos/jul99/articles/synthfx.htm">Using OnBoard Synth Effects, Part 4 (by Paul Wiffen - Sound On Sound - Jul 1999)</a><br> <a href="http://members.aol.com/uniquenyc/key7.htm">Using Pre-Delay and Reverb (by Bobby Nathan - 1985)</a><br> <a href="http://www.sospubs.co.uk/sos/jan98/articles/learnprocessors.htm">Where to Use Processors and Why: Chorus, Phasing, Flanging (by Paul White - Sound On Sound - Jan 1998)</a><br> <a href="http://www.sospubs.co.uk/sos/feb98/articles/processors.html">Where to Use Processors and Why: Delay (by Paul White - Sound On Sound - Feb 1998)</a><br> <a href="http://www.sospubs.co.uk/sos/1997_articles/dec97/processorsdec.html">Where to Use Processors and Why: Reverb (by Paul White - Sound On Sound - Dec 1997)</a><br> <a href="http://www.sospubs.co.uk/sos/mar98/articles/procesor.html">Where to Use Processors and Why: Valves (by Paul White - Sound On Sound - Mar 1998)</a><br> <a href="http://www.guitar9.com/studionine2.html">Why Delay? Start Delaying Today (by John B. Black - Guitar Nine Records)</a></font> </td> <td align=center valign="top" rowspan="2" width="250"> <script type="text/javascript"></script> <script type="text/javascript" src="http://pagead2.googlesyndication.com/pagead/show_ads.js"> </script> <P>  <script type="text/javascript">var a=new Date();var q='&tz='+a.getTimezoneOffset()/60 +'&ck='+(navigator.cookieEnabled?'Y':'N') +'&jv='+(navigator.javaEnabled()?'Y':'N') +'&scr='+screen.width+'x'+screen.height+'x'+screen.colorDepth +'&r='+Math.random() +'&ref='+escape(document.referrer.substr(0,80)) +'&uri='+escape(document.URL.substr(0,80));document.write('<ifr'+'ame width="120" height="600" src="http://g.adspeed.net/ad.php?do=html&aid=39077&wd=120&ht=600&target=_top'+q+'" frameborder="0" scrolling="no" allowtransparency="true" hspace="0" vspace="0"></ifr'+'ame>');</script> <noscript><iframe width="120" height="600" src="http://g.adspeed.net/ad.php?do=html&aid=39077&wd=120&ht=600&target=_top" frameborder="0" scrolling="no" allowtransparency="true" hspace="0" vspace="0"><a href="http://g.adspeed.net/ad.php?do=clk&aid=39077&wd=120&ht=600&pair=as" target="_top"><img style="border:0px;" title="Studio Forums" alt="Studio Forums" src="http://g.adspeed.net/ad.php?do=img&aid=39077&wd=120&ht=600&pair=as" height="600" width="120"/></a></iframe> </noscript> </tr> </table> <br> <font face="Trebuchet MS" size="2" color="#00000"> Find more links, report bad links, or add links for The Project Studio Handbook at <a href="http://studioforums.com/eve/forums/a/frm/f/5996031775">Studio Forums</a>. </center></div> <p> </td></tr></table><center><img src="images/copyright.jpg"> <table border="0" width="800" cellpadding="2"> <tr> <td align="right"><form action="http://search.yahoo.com/bin/search?" method="GET" style="margin-left: auto; margin-right: auto; margin-top: 0px; margin-bottom: 0px; padding: 0px"> <p><font color="#FFFFFF" face="Verdana" size="1"> </font></p> </form> </td> </tr> </table> </center></div> </td></tr></table></body> </html>